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    The Miserable Mill: Book the Fourth (A Series of Unfortunate Events #4)
    Lemony Snicket, Brett Helquist (Illustrator)





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    The world's unluckiest trio of children have their most perilous adventure yet in The Miserable Mill, the fourth book in Lemony Snicket's delightful tales of woe, A Series of Unfortunate Events. Orphans Violet, Klaus, and Sunny Baudelaire have yet to find a guardian they can live with and, after the disasters that occurred during their last living arrangement, they are now headed for a lumber mill in the town of Paltryville (most of the names used in these tales are as revealing as they are entertaining), located just beyond the gloomy, black Finite Forest.


    Another misadventure is virtually guaranteed when the children arrive at the mill and discover an eye-shaped building (the eye being Count Olaf's signature symbol) located right next door. Supposedly the building is an eye clinic, but the children have their doubts. Life with their newest caretaker doesn't look very promising either, as the children are forced to work in the mill and bunk in a dormitory with the other employees, all of whom are paid in coupons. Then Klaus breaks his glasses and has to visit the eye clinic. He doesn't return for hours -- and then when he does, he acts very strangely.

    Violet begins to suspect that Klaus has been hypnotized and her investigation of the eye clinic reveals Count Olaf in his latest disguise. It's one the children can see through easily, though they can't seem to convince any of the adults around them that the eye clinic receptionist named Shirley is actually Count Olaf. Only by using their singular strengths -- Violet's knack for inventing, Klaus's book smarts, and Sunny's T-Rex-like bite -- can they escape their latest horrible fate.

    While many of the events that occur on these pages are indeed bleak, miserable, and unfortunate, the indomitable spirits of the Baudelaire children and Lemony Snicket's gleeful telling of their tale makes reading them irresistible. As a side benefit, there's also a marvelous education in linguistics hidden amidst the mishaps.

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    The Wide Window: Book the Third (A Series of Unfortunate Events)
    Lemony Snicket, Brett Helquist (Illustrator)





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    I was just done with the second book of The Unfortunate Events Series. As I begin to read the third series, it's getting more and more intesting. The third book is about three Baudelaire orphans went to the next relative caretaker named Aunt Josephine. She is a kind of person that fears about anything.

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    The Reptile Room: Book the Second (A Series of Unfortunate Events)
    Lemony Snicket, Brett Helquist (Illustrator)





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    ABOUT THE BOOK
    The Reptile Room: Book the Second (A Series of Unfortunate Events)

    FROM OUR EDITORS

    The three unluckiest children in the world and their greedy relative, Count Olaf, return for another misfortunate adventure in The Reptile Room, the second book in Lemony Snicket's A Series of Unfortunate Events. The Baudelaire children survived their first encounter with the dastardly and scheming Olaf, but the Count doesn't give up easily. Nor does the Baudelaire luck ever seem to improve.

    At first it seems as if 14-year-old Violet, 12-year-old Klaus, and their baby sister, Sunny, have finally had a turn of good luck when they meet their newest guardian. Dr. Montgomery, or Uncle Monty as he prefers to be called, is a herpetologist. One whole room in his house is filled with snakes of all kinds, including some very deadly specimens. But despite his slithery interests, Uncle Monty is a fun-loving and generous caretaker who treats the Baudelaire orphans with love, respect, and kindness. But as anyone who's read the first book in this series knows, good fortune won't stay long with the Baudelaires. For starters Count Olaf returns, disguised in a manner that doesn't fool the kids for a minute -- though they can't seem to convince any adults. Then Uncle Monty dies (supposedly after being bitten by one of his highly poisonous snakes) although the kids are convinced he was murdered by Olaf. And of course, Olaf and his sideshow cronies have dreamed up yet another plan to get their hands on the Baudelaire fortune.

    The plot has holes big enough to drive a truck through and more than a few contrivances come into play. Nonetheless, there is something irresistibly alluring about all the bad luck and mayhem that befalls these fast-thinking children, who use their inventiveness, book smarts, and bite-ability to survive. Equally engaging is the mysterious narrator, Snicket, who taunts, tempts, and teases his way through the tale, revealing intriguing snippets of his own life and providing an ongoing lesson in the nuances of language. (Beth Amos)


    FROM THE PUBLISHER

    Dear Reader,

    If you have picked up this book with the hope of finding a simple and cheery tale. I'm afraid you have picked up the wrong book altogether. The story may seem cheery at first, when the Baudelaire children spend time in the company of some interesting reptiles and a giddy uncle, but don't be fooled. If you know anything at all about the unlucky Baudelaire children, you already know that even pleasant events lead down the same road to misery.

    In fact, within the pages you now hold in your hands, the three siblings endure a car accident, a terrible odor, a deadly serpent, a long knife, a large brass reading lamp, and the reappearance of a person they'd hoped never to see again.

    I am bound to record these tragic events, but you are free to put this book back on the shelf and seek something lighter.

    With all due respect,
    Lemony Snicket

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    Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson






    Mitch Albom





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    ABOUT THE BOOK
    Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson

    FROM OUR EDITORS

    Most of us, at some point in our schooling, have had a teacher who had a major impact on our thinking and the way we've lived our lives. What a treat would it be now, all these years later, to reacquaint ourselves with that treasure advisor, to learn again those lessons he or she shared when we were young. Mitch Albom was given that opportunity. He spent several months regularly visiting his college professor, Morrie Schwartz, during the elder man's final year of life. Tuesdays with Morrie is Albom's best-selling tribute to the man who gave him so much.

    ANNOTATION

    Maybe it was a grandparent, or a teacher, or a colleague. Someone older, patient and wise, who understood you when you were young and searching, helped you see the world as a more profound place, gave you sound advice to help you make your way through it.

    For Mitch Albom, that person was Morrie Schwartz, his college professor from nearly twenty years ago.


    FROM THE PUBLISHER

    Maybe it was a grandparent, or a teacher. Someone older who understood you when you were young and searching, who helped you see the world as a more profound place, and gave you advice to help you make your way through it. For Mitch Albom, that person was Morrie Schwartz, his college professor from nearly twenty years ago.

    Maybe, like Mitch, you lost track of your mentor as you made your way, and the insights faded, and the world seemed colder. Wouldn't you like to see that person again, ask the bigger questions that still haunt you?

    Mitch Albom had that second chance. He rediscovered Morrie in the last months of the older man's life. Knowing he was dying, Morrie visited with Mitch in his study every Tuesday, just as they used to back in college.

    Tuesdays With Morrie is a magical chronicle of their time together, through which Mitch shares Morrie's lasting gift to the world.

  • HOW BIG IS YOUR BUZZ?


    Drugmakers have to label the amount of caffeine in their offerings, but good and beverage companies don't. A sample of familiar products shows how fast your dose can add up.


    Hershey's milk chocolate almond bar, 6 oz ....25mg


    Espresso,1oz shot..........................................40mg


    Brewed tea, 8-oz sup.....................................50mg


    Coca-cola, 20-oz bottle..................................57mg


    Red Bull energy drink, 8.3-oz can....................80mg


    Excedrin pain reliever, 2 tablets......................130mg


    Brewed coffee, 12-oz cup..............................200mg


    Mountain Dew, 64-oz Double Big Gulp..........294mg


     

  • Today is exactually a week from X'mas, How exciting!! I remember last year many of my friends posted their dream gift on their xanga, which seems like pretty desperated. I think what I want for X'mas is something that no one could ever give me because it's my goal. when it comes to study, as everyone knows that distractions are everywhere. 

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    The Bad Beginning: Book the First (A Series of Unfortunate Events)
    Lemony Snicket, Brett Helquist (Illustrator)





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    ABOUT THE BOOK
    The Bad Beginning: Book the First (A Series of Unfortunate Events)

    FROM OUR EDITORS

    The Bad Beginning is actually a great beginning. It's the first book in Lemony Snicket's A Series of Unfortunate Events, a wonderfully different and disastrous children's story starring three highly unlucky siblings. In this first book, readers are introduced to the unfortunate Baudelaire children -- 14-year-old Violet, 12-year-old Klaus, and their infant sister, Sunny -- when they learn they've just been orphaned by a terrible house fire.

    The executor of the Baudelaire estate -- a phlegm-plagued banker named Mr. Poe -- sends the children to live with a distant relative: a conniving and dastardly villain named Count Olaf, who has designs on the Baudelaire fortune. Count Olaf uses the children as slave labor, provides horrid accommodations for them, and makes them cook huge meals for him and his acting troupe, a bunch of odd-looking, renegade good-for-nothings. When the children are commandeered to appear in Count Olaf's new play, they grow suspicious and soon learn that the play is not the innocent performance it seems but rather a scheme cooked up by Olaf to help him gain control of the children's millions.

    All this bad luck does provide for both great fun and great learning opportunities, however. Violet is a budding McGyver whose inventions help the children in their quest, Klaus possesses a great deal of book smarts, and Sunny -- whose only real ability is an incredibly strong bite -- provides moral support and frequent comedy relief. Then there are the many amusing word definitions, colloquialisms, clichés, hackneyed phrases, and other snippets of language provided by the narrator (a character in his own right) that can't help but expand readers' vocabularies. Though the Baudelaire children suffer myriad hardships and setbacks, in the end they do manage to outsmart and expose Olaf's devious ways. But of course, with luck like theirs, it's a given that Olaf will escape and return to torment them again some day. If only misery was always this much fun. (Beth Amos)

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    The Curious Incident of the Dog in the Night-Time
    Mark Haddon





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    ABOUT THE BOOK
    The Curious Incident of the Dog in the Night-Time

    ANNOTATION

    Despite his overwhelming fear of interacting with people, Christopher, a mathematically-gifted, autistic fifteen-year-old boy, decides to investigate the murder of a neighbor's dog and uncovers secret information about his mother.

    FROM THE PUBLISHER


    Christopher John Francis Boone knows all the countries of the world and their capitals and every prime number up to 7,057. He relates well to animals but has no understanding of human emotions. He cannot stand to be touched. Although gifted with a superbly logical brain, Christopher is autistic. Everyday interactions and admonishments have little meaning for him. Routine, order and predictability shelter him from the messy, wider world. Then, at fifteen, Christopher¡¦s carefully constructed world falls apart when he finds his neighbor¡¦s dog, Wellington, impaled on a garden fork, and he is initially blamed for the killing.
    Christopher decides that he will track down the real killer and turns to his favorite fictional character, the impeccably logical Sherlock Holmes, for inspiration. But the investigation leads him down some unexpected paths and ultimately brings him face to face with the dissolution of his parents¡¦ marriage. As he tries to deal with the crisis within his own family, we are drawn into the workings of Christopher¡¦s mind.
    And herein lies the key to the brilliance of Mark Haddon¡¦s choice of narrator: The most wrenching of emotional moments are chronicled by a boy who cannot fathom emotion. The effect is dazzling, making for a novel that is deeply funny, poignant, and fascinating in its portrayal of a person whose curse and blessing is a mind that perceives the world literally.
    The Curious Incident of the Dog in the Night-Time is one of the freshest debuts in years: a comedy, a heartbreaker, a mystery story, a novel of exceptional literary merit that is great fun to read.


    Author Biography:

    MARK HADDON is a writer and illustrator of numerous award-winning children¡¦s books and television screenplays. As a young man, Haddon worked with autistic individuals. He teaches creative writing for the Arvon Foundation and at Oxford University. He lives in Oxford, England.


    SYNOPSIS

    Christopher Boone is a fifteen and has Asperger's, a form of autism. He knows a great deal about math and very little about human beings. When he finds his neighbors's dog murdered he sets out on a terrifying journey which will turn his world upside down.


     

  • I went to the Radio Christmas Spectcular last Sunday. It was really amazing. The show was about 90 mins long, but it made me feel like about 2 hrs or so. It's all started with Rockettes dancing in the green coat, The Rockettes looked all pretty to me from far away. They are amazing long legs. They have tapping dance in circle. At that moment, I kinda want to be The Rockette; To be The Rockette had to have 5 years of different type dancing experience and also have to pass the training with Radio City on Stage. After all, I decide it is too hard for me, since that I only had one year or two ballet dance experience, The Rockette would be definitely too hard for me. That is the dream all counts, right? Although I don't think I am going to see the same show for next year, the show is still a classic. Moreover, I found something on The Radio City Website ,




















































     

    In "Here Comes Santa Claus," every single member of the cast appears on the Great Stage dressed as Santa Claus himself. This delightful number seeks to "explain" how Santa can actually deliver gifts to every boy and girl in the world, all in one night!
    More than 1,300 colorful costumes are worn in The Radio City Christmas Spectacular. Each of the Radio City Rockettes must change costumes eight times during each show and in a few of the changeovers, they have as little as 78 seconds in which to change their costumes.
    The "Music Hall Menagerie" is a small herd of two donkeys, three camels, and five sheep and one horse that are tended to by their own staff of trainers offstage.
    Part of what makes the show possible is the technical capabilities of the Great Stage. It measures 144 feet by 66 feet. It is made up of three elevators, which may be set at any level from the sub-basement to 13 feet above the stage -- a vertical drop of 40 feet. The orchestra uses a fourth elevator. Together, all four weigh 380,000 pounds.
    The Christmas Spectacular features an "ice" rink built on a movable platform. Used during the "Christmas in New York" scene, this huge rink is made from an artificial surface with the same properties as real ice.
    The mighty Wurlitzer Organ will be played during all performances of The Radio City Christmas Spectacular. Eleven rooms honeycombed around the theater house the one-of-a- kind organ's 4,328 pipes and one million moving parts.
    2,500 pounds of "snow" falls upon the Great Stage during the run of the Radio City Christmas Spectacular.
    Scenic backdrops for The Radio City Christmas Spectacular measure 95 feet in width and 45 feet in height - nearly double the normal theatrical size. The scrims (hand-painted cloth backdrops) are housed in storage space above the stage four stories high.
    The complex sound system enables audiences to hear the Radio City Orchestra from any seat in the theater. Radio City's unique "traveling" band car allows the orchestra to continue playing while moving back and forth on the stage and being raised and lowered on the elevators.

    Please check for Coupon for cheaper price on the tickets.

  • It is almost six months since I moved out. I love the feeling to live by myself. I only took one course this semester, so that way I don't give myself too much pressure. School life is annoying but somehow great. The annoying part would be to be able to get up. The great would be make new friends, learn new things, and have more knowledge on things. Sometimes I think it's funny because I realize that I love study and school. I love to look up things that I didn't understand. Incolusion, hopefully I could pass the final exam. ^ O ^